Americana
Saturday, February 13th, 2010We are auspiciously off the map when it comes to certain things. Hoots is a state of mind, of course, but it’s also a hidden little treasure if you are looking. Not a lot of people seek us out, and maybe that’s why we are allowed in some ways to do our own thing.
That is the way of all the Hoots in America. We make our own way.
And we have our little inroads to different and exquisite types of music, although we will never get credit for it. We are
too far north of Beale Street, too far west of Nashville and only four-lanes tie us to the Interstate. It’s not necessarily easy to get to Hoots, but it’s easy for those of us who seek it to get out. We usually come back though.
We are the land of Gordon Stoker of Jordonaires fame and Dez Dickerson has connections here. His grandfather, as the story goes, worked in the school cafeteria and is still talked about for being a kind man and for his biscuit making ability. When Prince played here two decades ago, limos parked in front of one of the college hang-outs as he, and Dez, walked around a local nightclub called Oz. People who were there, and now are in their mid-40s, talk about the day that Prince came to town in his high heels, checking out the nightlife. Little did they know that his guitarist already had connections here.
The tales we remember may not always be correct, but legends usually are never born without a bit of suspension of disbelief. But these are things that happened and although they might not seem a lot to people not from here, they are part of the legacy.
There is a folk singer that comes through Hoots about twice a year from New York. He found us through another band and he drops his anchor here each year as he heads to the The International Folk Alliance Conference in Memphis each year, which is next week. His name is Richard Thorne. In some ways, I think we tickle and intrigue him because he keeps returning to play his set, heads to Memphis for the conference and to pursue his music. His songs are funny and poignant, as all good folk music has both elements and he does both well. He sings of trains and corporations taking advantage of the needy, and long ago thoughts of a simpler time.
And he wears a smashing hat.
We met him last year and he returned last night to Mabel’s favorite bar. I ran late, waiting to go with Squirrel Queen, who is in the heart of high school tournament time. Two games a night have begun with every night but Sunday and thus she will cover roughly 12 games this upcoming week alone. I tease her about the glamorous world of sports writing and she usually playfully punches me in the arm. We know it’s not.
It was time for second act, which we almost missed due to a sick dog (not Mabel) and the games. Followed by another band that really deserves more attention, and is getting it to a degree, named Old Haul, we listened to original music where the lead singer growls at you with a deep raspy voice that is full of tender outrage. The band, all seven of them, playing what they call Americana which is what it is. Their following is legendary around here and now they will play the Cove in Memphis on the 20th of this month so I believe things are looking good. There is a bigger audience outside of Hoots, which goes without saying. I talked to the bass player and we discussed the club. I told him he’d like it, that it reminded me of bars they play around here so he’d be comfortable. I think he just wants to play, no matter where it is. As I was raised by a musician, I understand this wanderlust.
The bar was packed, with Pabst Blue Ribbon and Budweiser flowing as strong as the Mississippi, and Thorne laughed at the insanely cheap cost of beer with me as we bellied up to the bar. I was late, missing most of his set, I admit, but as I said before, it’s tourney time so he was gracious and understanding. We talked about how in New York, you’d have to take out a bank note for three beers but in Hoots, a tenner will give you a nice buzz to send you on your way. He said he’d never eaten at the Rendezvous, which I recommended, but that he’d gotten to go to Sun and Staxx records on past excursions to the, as Cracker calls it, the Bluff on the Big Muddy.
“How’s the newspaper?” he asked as Old Haul was setting up for their set.
“I’m not there anymore,” I smiled. “My life-long career choice decided it didn’t need me anymore. Hell of a time to be a paid writer.”
“What are you now?” he said, concerned. I appreciated the worried look on his face more than words can say.
“Still working on that,” I laughed although there are times that it throws me into the deep end of the pool because my identity was so tied up in that, even eight months later.
He nodded and I realized that, most likely, folk artists and freelance writers have a hell of a lot more in common than you would think.
We talked more about Memphis. He asked me about Midtown, and that he’d heard of it and wondered if he should go exploring. I told him that Old Haul was playing the Cove and that he might want to go see them before he heads back to NYC. He said he might. I wrote down some of the places I’d learned about that he might like and drew him a map from the Marriot.
“Memphis is one spread out place, isn’t it?” he said looking at the short list that I’d written down on a lavender piece of paper that the bartender gave me and the crude map I’d drawn highlighting how to take Union down to Midtown and spotlighting a couple of place on Madison.

Badger Beth and Richard Thorne showing how Twitter works
As we talked, I took his picture and showed him how to put it up on Twitter. He laughed saying that it was hard enough just keeping up with his Myspace page but I told him he might want to use it for immediacy if he was so inclined. Not everyone is as big of a fan of Twitter as I am, so I tend to be an evangelist about it with people that still don’t get it.
The conversation came to a close during the opening riffs coming from the small stage that could not accommodate all the members of the band, who had spilled out onto the makeshift dance floor. He watched them and his eyes showed appreciation for Old Haul, a band that isn’t playing by the rules. I think he liked that.
Yes, we are off the beaten path. If you navigate through the rocks and winding roads that get you here, sometimes you might find a bit of paradise hidden from view.
emergency so sometimes you do what’s in front of you, not what you want to happen but what you have to do to make things work. Steve Austin, my car, is on the mend but is still ailing. I guess in car language he’s been in ICU but has a good prognosis.








